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The only science fiction that ever really caught my attention when I was growing up, besides Star Trek and Robert Heinlein's Stranger in a Strange Land, was the novel Contact by Carl Sagan. When I was 15, I saw the 1997 film version of this. Later, as a 17-year-old adapting to my first semester (学期) at university, I read the book. Contact eventually became the gateway for me to try more popular science books.

One thing that interested me was the bitter fights the researchers got into with one another about their different ways of measuring the expansion rate of spacetime. On second thoughts, maybe this was a lesson I was supposed to draw from Contact, but, at the time, I didn't regard such politics as a scientist problem. Instead, what caught my attention was the portrayal of Eleanor "Ellie" Arroway, a scientist who searched for alien intelligence. In the film version, Ellie is seen listening to space using a pair of headphones connected to the Very Large Array (VLA)—a real facility in New Mexico.

Astronomers don't really do this for the purposes of actual research because there is rarely any point. This is the kind of detail that is unimportant for the film of Contact, but how it portrays radio astronomy is one of the inaccuracies I occasionally hear scientists complain about. I was lucky enough to observe the behaviour of some water molecules (分子) in the Orion nebula (猎户座星云) using the VLA for my thirdyear lab course. We didn't listen to the data. Instead, we processed it so that we could look at it.

That was probably the only time I ever excelled in the lab, and I was so excited to be a real­life Ellie Arroway. Later, I was forced to think more about the human aspects of my working experience. I witnessed unnecessarily heated arguments between scientists, complete with shouting and chalkboard punching (用拳猛击). But, thankfully, Contact had not only introduced me to the idea of radio astronomy as a possible career path, it had also given me a road map for remaining calm in the confused conflict of astronomical wonder and human politics.

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